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Space Infinites Directory 06
Page 08
It usually happens when the male of any species is killed during the breeding season, that the female soon procures another mate. There are, most likely, always a few unmated birds of both sexes, within a given range, and through these the broken links may be restored. Audubon or Wilson, I forgot which, tells a pair of fish-hawks, or ospreys, that built their nest in an ancient oak. The male was so zealous in the defence of the young that it actually attacked with beak and claw a person who attempted to climb into his nest, putting his face and eyes in great jeopardy. Arming himself with a heavy club, the climber felled the gallant bird to the ground and killed him. In the course of a few days, the female had procured another mate. But naturally enough the step-father showed none of the spirit and pluck in defence of the brood that had been displayed by the original parent. When danger was nigh, he was seen afar off, sailing around in placid unconcern.
Taken singly, I suppose that none of the figures in the chapel, except the Virgin's grandmother, should be rated very highly. The under-nurse is the next best figure, and might very well be Tabachetti's, for neither Giovanni d'Enrico nor Giacomo Ferro was successful with his female characters. There is not a single really comfortable woman in any chapel by either of them on the Sacro Monte at Varallo. Tabachetti, on the other hand, delighted in women; if they were young he made them comely and engaging, if they were old he gave them dignity and individual character, and the under-nurse is much more in accordance with Tabachetti's habitual mental attitude than with D'Enrico's or Giacomo Ferro's. Still there are only four figures out of the eleven that are mere otiose supers, and taking the work as a whole it leaves a pleasant impression as being throughout naive and homely, and sometimes, which is of less importance, technically excellent.
The gait is shuffling; the motion of the body, which is never upright as in man, but bent forward, is somewhat rolling, or from side to side. The arms being longer than the Chimpanzee, it does not stoop as much in walking; like that animal, it makes progression by thrusting its arms forward, resting the hands on the ground, and then giving the body a half-jumping, half-swinging motion between them. In this act it is said not to flex the fingers, as does the Chimpanzee, resting on its knuckles, but to extend them, making a fulcrum of the hand. When it assumes the walking posture, to which it is said to be much inclined, it balances its huge body by flexing its arms upward.
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